Originally Posted by
RobLV1
Let's take a look at your 160 game:
At end of Practice
Lane 31 was stand 28, slide 24, lay down 17, arrows 12-13, exit point (39 ft) 6
Lane 32 was stand 30, slide 26, lay down 19, arrows 14-15, exit point (39 ft) 8
Frame 1, Lane 32: Dead Flush 10 in the pit.
No need to adjust.
Frame 2, Lane 31: Ringing 10, Spare.
Release felt fine, so I chose not to adjust on just that one incident.
Would a more aggressive ball found a little more friction and not entered the pocket behind the head pin?
Frame 3, Lane 32: Dead Flush
Still no need to adjust.
Frame 4, Lane 31: Another ringing 10 pin, then I whiffed it.
Would a more aggressive ball have found a little more friction and not entered the pocket behind the head pin?
After the 2nd 10 pin I wanted to tighten up the line so I moved just my feet one right.
Frame 5, Lane 32: Pocket 7-10, covered the 7.
Pocket 7-10, ball hit like a marshmallow, need I say more?
Again I felt fine, just a bad break so no adjustment
Frame 6, Lane 31: Solid 8. Spare.
In modern bowling, the solid 8 is no longer "the only true tap." It's caused by a ball that deflects off the head pin, but not quite enough to result in a weak 10.
I guess this just isn't my night, no adjustment.
Frame 7, Lane 32: 2-4-8 (10 fell late), spare.
Sent the ball a couple of boards wide.
Shouldn't have adjusted off a bad shot, but I decided to move right a board with my feet. Uh, oh!
Frame 8, Lane 31: Flush, 10 in pit.
No adjustment
Frame 9, Lane 32: 4-6-7-10, covered 4-7
Missed target left, ball set on the oil line, then hooked onto nose.
decided to undo the adjustment after frame 7. If a one board adjustment gets you the BIG FOUR, then you are either using the wrong ball or playing the wrong line, or both.
Frame 10, Lane 31: Ring 10, Spare, Flush 10 in pit.
MICHAEL: I'm really not trying to be difficult, but to really raise your bowling to the next level, you, like many bowlers, need to lose the idea that bowling is mainly luck. It's not. There is no such thing as leaving a single pin in the back row standing that doesn't have a correctable reason. The same goes for the "dreaded" pocket seven-ten split. That split is virtually always caused by playing a line that is burned up, or totally losing the ball at the release point, or both.
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