
Originally Posted by
Mike White
I think this start and slide on the same board idea is crap.
Lets take for example, you want to go through the arrows (15 feet) at the 15th board, and by 45 feet, you want the ball to reach the 7 board.
At that point the ball will change directions and head back towards the pocket.
The question is, assuming the ball follows a straight path until it reaches 45 feet, where should we be laying down the ball, and where should we be starting on the approach.
To make the math simpler, lets assume we use the whole 15 feet of the approach.
Work from the break point backwards to the start of the approach.
For the ball to reach the 7 board at 45 feet, while also passing over the 15th board at 15 feet, we can calculate that the ball will cross to the right 4 boards every 15 feet.
That would indicate that the laydown point at the foul line should be the 19th board, and at the beginning of the approach, the ball should be located over the 23rd board.
If we have a 6 board offset between the center of the ball, and our slide foot, we should be sliding at the 25th board.
And likewise we should be starting the approach with our sliding foot on the 29th board.
That would keep the path of the ball straight through the arm swing, and we walk towards our target.
Since we want to slide on the 25th board, if we started on the 25th board, and walked parallel to the boards, the natural release would throw the ball straight up the 19th board, not across the 15, and out to the 7.
The only way to generate that angle out, while walking parallel to the boards, is to bring the ball behind our back.
If you move even deeper, there simply isn't anywhere to stand and throw the ball straight from start to finish, so it all becomes a form of art.
Good art takes lots of practice, and less science.
Good art doesn't have things like must walk parallel as it's criteria.
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