For myself, it is a combination of both. The ball in my hand and how much hand I put in to it.
The particular ball I choose and lane conditions dictate how I will release the ball. For example: I can throw my Vandal & Thug Unruly at different speeds and strengths depending where my break point starts and where it changes when the lanes begin to burn out.
The same applies when I bowl on totally fried lanes. I move left and make adjustments during during my 10 min of warmup to make that determination.
On a long oily patters I might also use my plastic ball and use the straighter is greater technique and not throw hard at all. With my new Vintage Danger Zone, I have yet to try it on the shorter patterns and heavy oil conditions. But that will change on Wednesday when I start my PBA Experience league.
As far as my carry goes, I have had the good fortune of getting good carry with both. If I am throwing my ball well, high flush works good and so does light. My ball rotation has got me many strikes when I don't hit the head pin very well, and admittedly, many more than I should have. But as long as the book doesn't say a strike has to be pretty I'll take every X that hits the scoreboard.
With the 7-10 and the 2-8-10, they both spell disaster. But the 2-8-10 is the toughest of the 2 (have not made either). With the 7-10, in the early frames I'll go at the 7 from corner to corner with the hopes the 7 will kick around and I have had it bounce around many times. From the mid frames on I as straight as an arrow at the 10. The count means much more at this point.
With the 2-8-10 I'm more interested in the count and that's because I go corner to corner for this because it is probably easier for a lefty too make this one, not that they are very successful making it either.
Remember that this is how/what I do for my own game. My style with a very short arm swing made me change my game from years ago and has given me better accuracy. And as I have said on other threads, days of a Mark Roth approach are long gone. It resembles more like Marshall Holman, by staying low from start to finish.
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